Photographs Accepted by Locust Candy
Locust Candy (“an independent magazine . . . We love anything and everything from bizarre to abstract to absolute nonsense, as long as there is a story involved”) has accepted three of my photographs: “Watertown Abandoned Industry,” “Wealth Management,” and “Whiskers” for its Spring online issue.
“Nature’s Art” Accepted by Remington Review
The Remington Review, an online publication [that] “strives to publish new, original work by rising poets, fiction and creative nonfiction writers, and visual artists,” has accepted my black and white photo entitled “Nature’s Art” for publication in its Spring 2023 issue.
New Photo Exhibit at Work
“Old versus New” Featured in Figwort Literary Journal
Photography Accepted by TMP Magazine

The Minison Project’s TMP Magazine has accepted four of my color photographs: “Diversity”, “Life”, “Mushrooms” and “Shaman” for publication in its February 2023 issue.
Art Work Now On Display in the Boston College Theology Department
Artwork on Display at Art Club Boston College!

The Art Club Boston College student organization is hosting an art show during the month of November in Carney Hall. Artwork produced by faculty, staff and students will be on display. The club is hosting a reception on opening night (tonight, November 1) in Gallery 203 at 7:30 PM.
“Filing System” Accepted by Cheat River Review
My color photograph “Filing System” was accepted for publication in an upcoming issue of Cheat River Review.
“Abandoned Industry” Photos Accepted by “Doublespeak Magazine”
UPDATE: the photos have just been published and can be viewed at: https://dsmag.in/2022/09/28/phil-temples-mini-album-abandoned-industry/.

The market Doublespeak Magazine has accepted several of my color photographs from my “Abandoned Industry” collection.
I took these photographs while trespassing on the property of an abandoned stone cutting company in March, 2005 near Bloomington, Indiana. They were shot using an inexpensive Canon PowerShot G2 camera.
Doublespeak Magazine “[…] provides a space for images, photographs to be precise, where one can express the abstraction through a process of mere documentation.”